Orphic Bend

These questions have been the subject of theoretical debate for centuries, and I do not propose to resolve them within the pages of Orphic Bend; rather, the book explores how consideration of these problems, and others, shapes literary ...

Orphic Bend

Restages fundamental debates about the relationship between poetry and music Orphic Bend: Music and Innovative Poetics explores the impact of music on recent pioneering literary practices in the United States. Adopting the myth of Orpheus as its framework, Robert L. Zamsky argues that works by Charles Bernstein, Robert Creeley, John Taggart, Tracie Morris, and Nathaniel Mackey restage ancient debates over the relationship between poetry and music even as they develop work that often sharply diverges from traditional literary forms. Opening each chapter with a consideration of the orphic roots of lyric, Zamsky integrates contemporary debates over the prospects and limitations of humanism, the meaningfulness of gesture and performance, and the nature of knowledge with the poetics of the writers under consideration, grounding his analysis in close readings of their work. The myth of Orpheus is used as a lens throughout the book, its different facets illuminating sometimes dramatically different aspects of the shared framework of poetry and music. In the case of Bernstein, for instance, Zamsky highlights Ezra Pound’s meditations on the relationship between poetry and music (the ground upon which Pound seeks to recapture the lost possibilities of the Renaissance) and Bernstein’s incisive critique of Pound. For her part, Morris emphasizes the performative power of spoken language, foregrounding the fact that all spoken language bears cultural, communal, and personal marks of the speaker, improving an ensemble self even within the most elemental features of language. Meanwhile, in Mackey’s work, the orphic voice of the poet powerfully reaches toward an order of knowledge in which poetry and music are nearly indecipherable from one another. In this sense, music and the musicality of poetic language are the gateways for Mackey’s Gnosticism, the mechanisms of initiation into a realm, not of secrets to be learned, but of visionary knowing that continuously unfolds. The text explores a range of musical influences on the writers under consideration, from opera to different iterations of jazz, and underscores the variety of ways in which music informs their work. Many of these writers effectively present a theory of music in their invocations of it as an inspiration for, or as an analog to, poetic practice. Zamsky’s focus on poetry and music echoes important interdisciplinary studies on literary modernism, a period for which the importance of music to literary practice is well established and extends that discussion to the contemporary context. In doing so, Orphic Bend provides an important opportunity to consider both the specific legacy of modernism, and to situate contemporary writers in broader historical contexts.

More Books:

Orphic Bend
Language: en
Pages: 223
Authors: Robert L. Zamsky
Categories: Literary Criticism
Type: BOOK - Published: 2021-08-10 - Publisher: University of Alabama Press

Restages fundamental debates about the relationship between poetry and music Orphic Bend: Music and Innovative Poetics explores the impact of music on recent pioneering literary practices in the United States. Adopting the myth of Orpheus as its framework, Robert L. Zamsky argues that works by Charles Bernstein, Robert Creeley, John
Bass Cathedral
Language: en
Pages: 183
Authors: Nathaniel Mackey
Categories: Fiction
Type: BOOK - Published: 2007 - Publisher: New Directions Publishing

On the eve of a 1982 L.A. jazz ensemble's latest album release, its members receive a mysterious otherworldly message that sparks a series of letters documenting subsequent life-changing events. By the National Book Award-winning author of Splay Anthem. Original.
Diasporic Avant-Gardes
Language: en
Pages: 274
Authors: C. Noland, B. Watten
Categories: Literary Criticism
Type: BOOK - Published: 2016-04-30 - Publisher: Springer

Diasporic Avant-Gardes draws into dialogue two differing traditions of poetic practice: the diasporic and the avant-garde. This interdisciplinary collection examines the unacknowledged affinities (and crucial differences) between avant-garde and diasporic formal strategies and social formations. The essays foreground the creation of experimental forms and investigate the specific contexts of cultural
Late Arcade
Language: en
Pages: 224
Authors: Nathaniel Mackey
Categories: Poetry
Type: BOOK - Published: 2017-02-28 - Publisher: New Directions Publishing

A new volume of the singular, ongoing, great American jazz novel Nathaniel Mackey’s Late Arcade opens in Los Angeles. A musician known only as N. writes the first of a series of letters to the enigmatic Angel of Dust. N.’s jazz sextet, Molimo m’Atet, has just rehearsed a new tune:
Atet A.D.
Language: en
Pages: 184
Authors: Nathaniel Mackey
Categories: Fiction
Type: BOOK - Published: 2001-08 - Publisher: City Lights Books

Spectacular third work in Mackey's ongoing epistolary fiction about modern jazz.